One column

Making one’s home in an unpublished novel wasn’t without its compensations. All the boring day-to-day mundanities that we conduct in the real world get in the way of narrative flow and are thus generally avoided. The car didn’t need refueling, there were never any wrong numbers, there was always enough hot water, and vacuum cleaner bags came in only two sizes—upright and pull along. There were other more subtle differences, too. For instance, no one ever needed to repeat themselves in case you didn’t hear, no one shared the same name, talked at the same time or had a word annoyingly “on the tip of their tongue.” Best of all, the bad guy was always someone you knew of, and—Chaucer aside—there wasn’t much farting. But there were some downsides. The relative absence of breakfast was the first and most notable difference to my daily timetable. Inside books, dinners are often written about and therefore feature frequently, as do lunches and afternoon tea; probably because they offer more opportunities to further the story.

One column wider

Applying the class .one-col-wide overrides the single column default max-width of 860px.

You say / The price of my love’s not a price that you’re willing to pay / You cry / In your tea which you hurl in the sea when you see me go by / Why so sad? / Remember we made an arrangement when you went away / Now you’re making me mad / Remember, despite our estrangement, I’m your man.

Da da da dat da, dat da da da da ya da.

Two columns

Breakfast wasn’t all that was missing. There was a peculiar lack of cinemas, wallpaper, toilets, colors, books, animals, underwear, smells, haircuts, and strangely enough, minor illnesses. If someone was ill in a book, it was either terminal and dramatically unpleasant or a mild head cold—there wasn’t much in between.

I was able to take up residence inside fiction by virtue of a scheme entitled the Character Exchange Program. Due to a spate of bored and disgruntled bookpeople escaping from their novels and becoming what we called PageRunners, the authorities set up the scheme to allow characters a change of scenery. 

Two equal-height columns boxed-width

I was able to take up residence inside fiction by virtue of a scheme entitled the Character Exchange Program. Due to a spate of bored and disgruntled bookpeople escaping from their novels and becoming what we called PageRunners, the authorities set up the scheme to allow characters a change of scenery. 

Two equal-height columns full-width

I was able to take up residence inside fiction by virtue of a scheme entitled the Character Exchange Program. Due to a spate of bored and disgruntled bookpeople escaping from their novels and becoming what we called PageRunners, the authorities set up the scheme to allow characters a change of scenery. 

Three columns

In any year there are close to ten thousand exchanges, few of which result in any major plot or dialogue infringements—the reader rarely suspects anything at all. Since I was from the real world and not actually a character at all, the Bellman and Miss Havisham had agreed to let me live inside the BookWorld in exchange for helping out at Jurisfiction—at least as long as my pregnancy would allow.

 

The choice of book for my self-enforced exile had not been arbitrary; when Miss Havisham asked me in which novel I would care to reside, I had thought long and hard. Robinson Crusoe would have been ideal considering the climate, but there was no one female to exchange with. I could have gone to Pride and Prejudice, but I wasn’t wild about high collars, bonnets, corsets—and delicate manners.

No, to avoid any complications and reduce the possibility of having to move, I had decided to make my home in a book of such dubious and uneven quality that publication and my subsequent enforced ejection was unlikely in the extreme.

Four columns

Look, see, says John Cole, who didn’t have the great learning I had, but had a little none the less. Well, he says, by my mother’s loving heart, we do fulfil half of that requirement.

Straight in, and there was a highly pleasant quotient of good dark wood, dark panelling floor to ceiling, a long bar as sleek and black as an oil-seep. Then we felt like bugs in a girl’s bonnet. Alien. 

Pictures of those fine American scenes of grandeur that are more comfortable to gaze on than to be in. Man there behind the bar, complete with chamois cloth, philosophically polishing a surface that needed no polishing. 

It was plain to see all was a new enterprise. There was a carpenter finishing up on the stairs going to the upward rooms, fitting the last section of a rail. 

Custom css classes on row for overlay boxes

using a mix of .overlay-box styles

.overlay-box-width-one-third
(there’s also .overlay-box-width-one-half and .overlay-box-width-two-thirds)

.overlay-box-bg-fff
(there’s also .overlay-box-bg-333 and .overlay-box-bg-000

.overlay-box-right
(there’s also .overlay-box-left)

Custom css classes on row for background image banners

.darken-bg will apply a 25% black overlay on the background image (add.darken-15 or .darken-40 to switch the strength)

.ts will put a 50% black text-shadow on any headings or paragraphs (add .ts-25 to switch the strength)

.mw-600 will make any headings or paragraphs have a max-width of 600px

Two buttons across

Four buttons across, .animated-underline row class

Tabs

Tab One Title

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Tab Two Title

On 10 November 1951, Sir Hugh Beaver, then the managing director of the Guinness Breweries, went on a shooting party in the North Slob, by the River Slaney in County Wexford, Ireland. After missing a shot at a golden plover, he became involved in an argument over which was the fastest game bird in Europe, the golden plover or the red grouse. (It is the plover.) That evening at Castlebridge House, he realized that it was impossible to confirm in reference books whether or not the golden plover was Europe’s fastest game bird. Beaver knew that there must be numerous other questions debated nightly in pubs throughout Ireland and abroad, but there was no book in the world with which to settle arguments about records. He realized then that a book supplying the answers to this sort of question might prove successful.

Tab Three Title

Look, see, says John Cole, who didn’t have the great learning I had, but had a little none the less. Well, he says, by my mother’s loving heart, we do fulfil half of that requirement.
Straight in, and there was a highly pleasant quotient of good dark wood, dark panelling floor to ceiling, a long bar as sleek and black as an oil-seep. Then we felt like bugs in a girl’s bonnet. Alien. Pictures of those fine American scenes of grandeur that are more comfortable to gaze on than to be in. Man there behind the bar, complete with chamois cloth, philosophically polishing a surface that needed no polishing. It was plain to see all was a new enterprise. There was a carpenter finishing up on the stairs going to the upward rooms, fitting the last section of a rail. The bartender had his eyes closed or he might have seen us sooner. Might even have given us the bum’s rush. Then the eyes open and instead of the drawing back and cussing at us we ex- pected this more discerning individual smiled, looked pleased to see us.

Three cards across

I'm a card

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do.

Three

Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea.

Four cards across, no borders

I'm a card

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do.

Three

Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea.

Number Four

Three panels

Title panel one

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt 

Cool

Panel that has it all

Ut labore et dolore magna aliqua ut enim ad minim veniam, quis nostrud exercitation.

Click me

The third

Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.

Four panels

Title panel one

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt 

Cool

Panel that has it all

Ut labore et dolore magna aliqua ut enim ad minim veniam, quis nostrud exercitation.

Click me

The third

Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.

Yep

The fourth

Labore et dolore magna aliqua ut enim ad minim veniam, quis nostrud ut enim ad minim veniam, quis nostrud

Gotcha

Logos in panels

Using the Vertically centre panel images and don’t crop them square? row setting, transparent background panels and logos as panel images.

Logos in a table

adding .logos class to the table does most of the work here

· vertically and horizontally centres images in their cells
· gives the images max-widths, varying by screen size
· collapses to a single col around 560px
· for pesky images add bonus .pad5 or .pad10 classes to make them % shrink

When Miss Havisham asked me in which novel I would care to reside, I had thought long and hard. Robinson Crusoe would have been ideal considering the climate, but there was no one female to exchange with. I could have gone to Pride and Prejudice, but I wasn’t wild about high collars, bonnets, corsets—and delicate manners.

Thursday Next, SO27

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Chelsea Hotel
204 W 23rd St
New York City, USA

Phone +1 212-929-9353

Counters

  • I got
    $5000
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    107%
  • These go up to
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